From Claude Monet's garden, in Giverny (France). Note: the lens was used with a helicoid close-focus adapter. And it is a substantial crop, or course.

From Claude Monet's garden, in Giverny (France). Note: the lens was used with a helicoid close-focus adapter.

From Claude Monet's garden, in Giverny (France). Note: the lens was used with a helicoid close-focus adapter.

From Claude Monet's garden, in Giverny (France). Note: the lens was used with a helicoid close-focus adapter.

From Claude Monet's garden, in Giverny (France). Note: the lens was used with a helicoid close-focus adapter.

I was huddling on the shore of Lago Pehoe, trying to photograph clouds of water droplets whipped by gusts of wind off the surface of this cold, glacial lake , when these two Danish backpackers suddenly appeared and took a dip in the lake. I had just enough time to squeeze a few shots, before they froze...

From Claude Monet's garden, in Giverny (France). Note: the lens was used with a helicoid close-focus adapter.

From Claude Monet's garden, in Giverny (France). Note: the lens was used with a helicoid close-focus adapter.

From Claude Monet's garden, in Giverny (France). Note: the lens was used with a helicoid close-focus adapter.

From Claude Monet's garden, in Giverny (France). Note: the lens was used with a helicoid close-focus adapter.

From Claude Monet's garden, in Giverny (France). Note: the lens was used with a helicoid close-focus adapter.

Higlands Iceland

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More testing my CONTAX RTS II Quartz with the 50mm f1.4 Carl Zeiss Planar T* which has been suffering from 'Back-Focus' -- here I tried a 'Street Candid' on the move, with camera held at waist level full aperture f1.4 in poor light, outdated HP5 Plus this time processed in Promicrol liquid to see if there was any different in Fog Level and film speed from ID11 -- negs were actually THINNER but fog level looked the same. I pre-focussed in front of the man and the focus is acceptable. I cropped the neg scan and straightened it up.