Field curvature is much "milder" with A7 compared to A7r, top left crop:
http://www.zeissimages.com/photo.php?link=http://www.zeissimages.com/gallery/686/U686I1397163571.SEQ.0.jpg
The branch gets to focus due to field curvature, in A7r the focus on corners would be >10m/30ft in this kind of situation.
Distagon 28mm rendering is very enjoyable, but field curvature with A7r is ridiculous - bottom right:
http://www.zeissimages.com/photo.php?link=http://www.zeissimages.com/gallery/686/U686I1397074432.SEQ.1.jpg
top right:
http://www.zeissimages.com/photo.php?link=http://www.zeissimages.com/gallery/686/U686I1397074434.SEQ.2.jpg
A stark Himalayan hillside glistens in the midday sun somewhere on the spectacular National Highway 1A in India’s Ladakh region. Widely praised for its stunning “moonscapes”, Ladakh is one of the world’s highest and driest plateaus with a predominantly Buddhist population. This mountain spot and moment, too, was rather Zen-like for me, a simple koan to the magnificence of monochrome that nature often throws at you. Its austere contrast also perhaps recalls - in inverted fashion - one of the world’
Tashi, novice monk, poised to score a hit while playing sockball on a sunny afternoon after classes with his buddies 'in the open' at the ancient Lamayuru Buddhist monastery in Ladakh. Perched on a craggy grey-white Himalayan hillside at 3,510 meters, the 11th-century 'gompa' is among the largest of its kind. A friend and I joined in and soon had the little monks howling in delight as they tried to catch that swirling ball thrown high into the mountain air.
