The Iliad (/ˈɪliəd/;[1] Ancient Greek: Ἰλιάς, romanized: Iliás, Attic Greek: [iː.li.ás]; "a poem about Ilium (Troy)") is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the Odyssey, the poem is divided into 24 books and was written in dactylic hexameter. It contains 15,693 lines in its most widely accepted version. Set towards the end of the Trojan War, a ten-year siege of the city of Troy by a coalition of Mycenaean Greek states, the poem depicts significant events in the siege's final weeks. In particular, it depicts a fierce quarrel between King Agamemnon and a celebrated warrior, Achilles. It is a central part of the Epic Cycle. The Iliad is often regarded as the first substantial piece of European literature.
The Iliad and the Odyssey were likely written down in Homeric Greek, a literary amalgam of Ionic Greek and other dialects, probably around the late 8th or early 7th century BC. Homer's authorship was infrequently questioned in antiquity, but contemporary scholarship predominantly assumes that the Iliad and the Odyssey were composed independently and that the stories formed as part of a long oral tradition. The poem was performed by professional reciters of Homer known as rhapsodes.
Critical themes in the poem include kleos (glory), pride, fate and wrath. The poem is frequently described as a masculine or heroic epic, especially compared with the Odyssey. It contains detailed descriptions of ancient war instruments and battle tactics, and fewer female characters. The Olympian gods also play a major role in the poem, aiding their favoured warriors on the battlefield and intervening in personal disputes. Their characterisation in the poem humanised them for Ancient Greek audiences, giving a concrete sense of their cultural and religious tradition. In terms of formal style, the poem's repetitions, use of similes and epithets, are often explored by scholars.
Comments
Photo by JT • Last comment by JT • On 08-28-13 15:13
Thanks. This lens is amazing! When Zeiss sent it to me for review, I did not want to return it :(
I should mention the context of this photo. I was showing a colleague my Distagon, because he was curious if it could produce fish-eye effects. The resulting picture of him was so funny that I took pictures of everyone else in the office, to be used in a promotional brochure. This is the shot of myself, but I won't upload any of the others until the brochure is public. In the meantime, I have to say that I loved the color I got out of this lens.
Comments
Photo by paqart • Last comment by zeissy • On 08-26-13 22:18
Just fabulous and very cute - and very brave of you! The colour is amazing for sure.
I value the render (the sharpness and the bokeh) of this lens very high. It handles flare very well for single-layer coated glass. This picture is merged with 2x2 matrix of elementary shots.
Comments
Photo by aquilan • Last comment by zeissy • On 08-26-13 22:03
Wonderful rendering of the tones and light...the ordinary becomes fascinating!
Photo by dalth500 • Last comment by dalth500 • On 08-25-13 20:12
Thanks Rick - I continue to be impressed with the combination of Zeiss optics and the D800e - I think this platform delivers the highest technical quality images available today. But technology is only one part of the "picture" (pun intended) and ultimately the "seeing" and visual and technical skill of the photographer is infinity more important than the gear. Given a typewriter and enough time even a chimpanzee could hit the right keys in the correct order to produce something like the US Constitution - I suppose the same it true for a Zeiss and D800e - given enough time even a rookie like me can deliver a good landscape now and then!! Thanks for the nice comment and I enjoy your work as well - good shooting to you!!
Malmesbury was founded as a Benedictine monastery around 676 by the scholar-poet Aldhelm, a nephew of King Ine of Wessex. In 941 AD, King Athelstan, one of the greatest West Saxon Kings after King Alfred the Great, was buried in the Abbey. Æthelstan had died in Gloucester in October 939. The choice of Malmesbury over the New Minster in Winchester indicated that the king remained an outsider to the West Saxon court.
The current Abbey was substantially completed by 1180.